Reliquary / Devotio Bologna

Devotio Bologna 17 – 19 February

We participate to this event which proclaims to be multi-confessional but in reality is mainly Roman Catholic.

Obviously our goal is to promote our gilt leather. Historically gilt leather was used as altar pieces or to make some liturgical garment. Since gilt leather is quite a rare product for over a century, the demand from the church collapsed, our aim is to (humbly try to) restore this demand.

We will propose an altar piece and a reliquary.

The concept is from Lutson, the cabinet maker is Adèle Enjolras http://adele-ebeniste.toile-libre.org/ she also produced  the technical drawing. The box is made of solid chestnut 25mm thick, the framing is made of walnut, her work is mm sharp.

Adèle in her workshop
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The inside of the reliquary is gilded, on the far end hangs a crystal cross, two windows allow to see the relic, which is protected form exterior elements by the solid construction.

As I previously said, zero tolerance, all neat and sharp

When elaborating the concept of the reliquary we thought it had to respond to high standards.

It had to be of generous proportions, build by human hands and made out of natural materials it had to be solid like a safe, made with precision and care, it had to be precious inside and outside, ready to harbor a relic.

To offer it a last worthy residence.

As Always

Fred

 

 

 

 

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Bespoke Marot Poly-chrome

Once more our UK distributor Tatiana Tafur Ltd is a the origin of an interesting order.

This time it involves a Marot panel we made decades ago and which Tatiana Tafur had in their London showroom.

Marot Polychrome grayish backgound on a silvered ground  

One can see the damage of years of showroom use …

The client wishes to see some changes done  1)  The panel needs to be muted so we work the antiquing  2) Greens need to be more emerald green…… okay done 3) All reds need to be deep burgundy…… taken care of 4) Finally he wishes to see the silvered  inside-panels to be slightly darker which we tried to achieve perhaps with a disputable result as one needs to look closely.

Here under the final approved Marot panel

Marot Polychrome

Some more details of this new panel which we ate Lutson like a lot.

Detail Marot  Polychrome
Detail Marot Polychrome

At Lutson bespoke orders are welcome.

As Always

Fred

 

 

 

 

 

Where we breed Dragons

Dragon panels drying in the workshop

In European mythology, the word dragon derives from two separate Greek words. One word means “a huge serpent or snake” and the other means “I see clearly”. Dragons in European traditions have wings, allowing them to soar freely above, resulting in a perspective that encompasses a huge panorama below. In this context, dragons can be thought to symbolize the ability to see the “big picture” as well as the ability to see far off danger or future circumstances.

European dragons are fire spitting evil forces.

Chinese or Feng shui dragons on the other hand are exuberant, playful, beneficent creatures that live on land as well as in water and in the air. They are associated with spring rains and water and are symbols of abundant life, strength, fertility, and prosperity.

Myths change over time. Oral traditions were not there only, to reproduce the exact tales told by the ancients. They were a basis for talented storytellers to catch the attention of an audience and storytellers have fantasy thus myths muted, stories changed and our perception on a subject or personage changed too.

If there must still be storytellers around the campfire, the main stories are told on media and travel the world in seconds, if the story is well told it is imprinted in our minds in its new updated from.

I don’t doubt the influence of series like Game of Thrones, and the influence they had on our perception of dragons I believe there will be a before and and after.

In Game of Thrones dragons are massive, flying reptiles that can breathe fire onto their enemies and cook their food with the same flame. They are rumored to have a strong connection to magic which seems to be proven true when magic begins to return to the world after the birth of the first three in over two hundred years. Dragons possess awesome and devastating power, capable of laying waste to armies and burning entire cities to ashes. Men who were able to tame and ride dragons as beasts of war used them to burn their enemies and forge vast empires across the continents.

At Lutson we breed Dragons since many years, Lutson Dragons are European dragons in their physical appearance. Our Dragons are exclusively female and are a magical mix of the European and the Chinese Dragons they are winged and spit water producing flowers and abundant life.

Lo and Behold its still a Dragon

The Dragon panel is a reproduction of a mid 18th century Flemish design.

In our collection we have a 17th century panel in which a tiny dragon sits on a branch, innocent and cute.

Baby Dragon from 1650

 

As always

Fred

 

Gilt Leather Alter for the St Peter church of Vic-Fezensac

Regularly we are asked to supply Gilt leather for alter pieces (Antependium).

As here in the St Peter church of Vic Fezensac.

The four sides of the alter are covered with leather.

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Front covered with Marot

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The back being covered with Abondance

The sides are covered with our Lauderdale.

This is a small alter which allows easy picking-up and re-positioning.

 

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Hope you enjoyed this

As Always

Fred

Gilt Leather At Levens Hall, cuir de cordoue, goudleer, guadamecies, kinkarakawa

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Gilt Leather at Levens Hall

The Parrot Panel .

In the late eighties we were introduced to Michael Abbott who became our UK agent, a real gentleman and one of these few without whom we wouldn’t be around making gilt leather any longer.

Shortly after we met, Michael introduced us to a famous Pimlico Road antiques dealer and decorator, the man himself a nonchalant, laid-back, aristocratic aura.
The showroom, loaded with a mix of unusual objects and top antiques, a harmonious, calculated, masculine chaos.

All things I like. To me an interior has to have the three A’s, Antiques Art Architecture without these its … complicated to make something interesting, imposing or even joyful. Imposing as I believe one becomes humble and relax in the presence a genial mix of the three A’s.

We were asked to reproduce a design which he had in his archives, having agreed on terms we went happily to work.
Once the mould ready, cast in bronze and impossible to handle. The modest production started.
It was the first time we set eyes on this design, but than again there are so many designs dating from this period. And research in these days was …..well different, not with the click of the mouse !

When supplied, part of the panels were used to line the walls of the showroom window. No pictures available, yet for us something never to forget.

Working on the archive material provided by our client we noted some irregularities in the background ornament, so far so good.

Later we came across this design as it appeared in an article about a restoration of the ancient gilt leather of the Deanery in Zele Belgium a small town nearby our hometown Ghent.

A closer examination of the design in Zele allowed us to conclude that it was not only the same design but that the leathers were printed on the same mould as they have same irregularities. Thus originating from the same workshop. Besides this, one could see from the quality of the gilding and the way they were painted that they originate from the same workshop

All well, till this very same design appeared in several English movies and series  , “the Tenant of Wildfell Hall, Wives and Daughters and many others all shot at Levens Hall. Stylistically its the same panel from the same workshop, a closer look at the background ornament shows the same marks, they were embossed on the same mould ! http://www.levenshall.co.uk/

 

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Levens Hall gilt leather restored by the Leather Conservation Center Northampton UK

http://www.leatherconservation.org/

Remarkable here is that this design was issued by one gild leather workshop, as we know that some designs were produced by almost all the gilt leather workshops. The quality of the work makes this workshop a good one, this also is to be noted as some workshops were not very much regarding to the quality of their work.

At the end of the day the question that remains is where was this design produced.
Two locations in the UK against one in Flanders do not tell the story.
One thing is for sure, the workshop produced quality leathers.

The reproductions made for the eccentric antiques dealer ? Made in Ghent, Flanders.

 

Parrot 75 X 59 cmThe Parrot Panel reproduction by Lutson

 Left, the original panel, right the reproduction by Lutson

Tulips on Hodsoll panelThe tulips in this panel were painted in two different ways here the other version on a pale gilded ground

 

As Always
Fred

 

Heerenveen “Tuymelaarhuis” Gilt Leather / Goudleer / Cuir de Cordoue

Tuymelaarhuis Heerenveen

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Mr. Wiebren Dijkstra

Hanging onto his paint brush on his shaky scaffold.

Without Wiebren this project would not have seen daylight.

Thank you, Wiebren !

This house goes back to the 16th century and was modified during the course of time,

the last remodeling was around 1750.

It always amazes me to see buildings this old in such good condition, typical northern Europe !

The more you wander to the south the quicker buildings seem to wear.

Our place dates form 1850 and was sort of a ruin already.

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Here the order is well on its way,

the flowers were painted in the 18th century tradition.

The leathers painted and hanging to dry before the antiquing is applied.

The colours and the gilding were made to the customers specifications.

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 Dutch professional magazine Eisma’s published an editorial on the subject.

http://www.schildersvak.nl

It shows the trimming and gluing of the leathers.

A rare opportunity to practice your Dutch….

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Wiebren assited by Pauline Kaan

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The indisputable proof that hanging the leathers is easy and fun !

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A link to Wiebren Dijkstra ‘s site.

http://www.wdijkstra.nl/

Thank you for reading me.

Best Wishes

Fred

More Swedish Baroque Chairs

For those who follow the blog, you surly have found several postings about our Swedish distributors Annika and Leif Arvidsson form Lages AB. As upholsterers they work for antiques dealers, museums and whom ever wishes to have their chairs done by expert hands.
Earlier this year we worked with them on a large set of Baroque chairs.

  The whole set of chairs

G2Your educated eye will note that there are 2 different models of chairs.

This pair is 18 century Swedish baroque.

G1

This one here is a late 19th century Swedish Baroque chair.

G4Obviously this is a more elaborated  sort of Baroque.

The Chairs have been upholstered with a design form our collection the “Abondance”

Annika & Leif have upholstered a set of chairs for the Hallwyl museum Stockholm http://hallwylskamuseet.se/en we made the reproductions of the leather they needed using the original embossing plate owned by the museum. Swedish television made a reportage about the story and the upholstery work done in the studios of Lages AB.  But at first, Annika shows how patiently she makes her own Gilt Leather…..

http://www.svt.se/nyheter/regionalt/orebro/norahantverkare-klar-om-stolar-till-halwylska

Enjoy, its time to exercise your Swedish

As Always

Fred

Sample panels soon to be seen in Paris

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Here a good example of a strictly monochrome panel.

One background color painted on an antiqued silvered ground.

The Dragon form our collection dates originally from the 1750’s.

Besides being a rococo design it is worth to note,

  that it is a good and life giving female dragon.

There will also be a

Moncla Polychrome

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Here we have a full polychrome panel.

The background paint is sort of bottle green on a flat Silver-gilded ground.

The Moncla is a great classic design probably by Daniel Marot

circa 1720

As Always

Fred